The last single-screen cinemas, and the people who keep them open
One room, one film, one projectionist who knows every regular by name. A tour of the cinemas that refused to become multiplexes.
Author
Margot Vidal
Editor-in-chief. Cinema and stage, preferably from row G, preferably on a weeknight.
A night at the opera, from the fourth tier
The cheapest seats in Vienna have the best view of the audience — and, it turns out, of the music.
Why we still go to the movies at midnight
17 Oct — Studio Lumen, Paris · A night of three cult films, one ticket
A new staging of a Chekhov classic, played in near darkness
24 Oct — Théâtre des Saules, Paris · Opening night, 8 pm
Ten films for the first cold evenings
Long nights, slow stories and a few comedies, chosen by the editors for the start of autumn.
Walking home across the river
The best part of any evening out is the walk home, when the film is still playing in your head.